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Inheritance Discovering a man held captive in a bunker for 30 years should be more compelling than it proves in “Inheritance.” This overlong tale spends most of its nearly two hours as a somewhat draggy, talky mystery before finally deciding to be a thriller, with credibility lacking throughout. Questionable lead casting further undermines this second directorial feature for Brit Vaughn Stein, which is an improvement on his first — the terribly arch, self-penned neo-noir “Terminal” — but doesn’t find terra much more firma in Matthew Kennedy’s tepid potboiler of a script. The U.S. production launches on home-turf streaming platforms May 22, having debuted on DirectTV in April after its coronavirus-canceled Tribeca Film Festival premiere fell through.

A hyperbolic opening edited too much like a trailer shows tycoon Archer Monroe (Patrick Warburton) staggering to an apparent heart-attack death. Afterward we meet the rest of his family, now gathered for the funeral at their aristocratic “summer house” estate. His two children are carrying on a dynastic tradition of high-powered positions, with eldest Lauren (Lily Collins) a crusading Manhattan District Attorney, while William (Chace Crawford) is a Congressman whose reelection campaign is imperiled by corruption allegations.

Duration: 111 min


IMDb: 5.5