Deerskin
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Deerskin

Deerskin by now those interested already know: the Korean Bong Joon-ho won the Palme d’Or at the Cannes Film Festival. Deerskin The question of whether he deserved it is easy to answer: for me it is a clear “yes”. However Parasite (Gisaengchung, 2019), in my opinion, is not the only film that could have won the jackpot. Pain and glory (2019), a film by Almodóvar; Portrait of a Lady on Fire (Portrait de la jeune fille en feu, 2019), by Céline Sciamma; Little Joe (2019), by Jessica Hausner, or Frankie (2019), by Ira Sachs, were also good candidates. They tell me – and I regret to admit that I did not see it – that It Must Be Heaven (2019), by the Palestinian Elia Suleiman, was perhaps the best contender.

The reasons for my final — and, now that I look at it, tiny — judgment are based on Bong’s narrative ability. The class struggle started by a working-class father who infiltrates a luxurious house is not exactly deep, however the plot has a brilliant rhythm that allows the undulation of the farce – full of original jokes that go from the physical to the political. to the deepest melodrama. It is not convenient to reveal what happens in the film, but to say that Bong achieves the ability to manipulate that he showed in Memoirs of a Murderer (Salinui Chueok, 2003), another film that is more than profound, captivating.

Duration: 77 min

Release:

IMDb: 6.7